Screen stories on Noozify — original reporting and curated links, ranked by the community.
A hundred thousand people, smashed windows, a fiancée collapsing on the coffin, and a press agent named Harry Klemfuss paying for a good deal of it. A century on from August 23, 1926, the hired Blackshirts are still in every retelling.
Freefall: A Reckoning for Boeing follows Kennedy's 2022 film Downfall: The Case Against Boeing and centers on the death of John Barnett, the quality manager who spent years reporting safety problems on the 787 line. It gathers testimony from other whistleblowers who say they raised defects with managers and were told to overlook them. It premiered on Netflix on August 19 after a world premiere at the DC/DOX festival in June.
Brand New Day held the top spot again, while The End of Oak Street — J.J. Abrams and Warner Bros' original monster picture with Anne Hathaway and Ewan McGregor — landed at roughly $20 million, the bottom of its projected range, on a B CinemaScore. The weekend still totals around $158 million, the strongest 33rd weekend since before the pandemic. Both facts are true at once: moviegoing is healthy, and almost none of that health is reaching films without a franchise behind them.
Released August 11: three episodes, two years of filming, and a witness list running through Ferguson, Casillas, Ibrahimović, Drogba, Eto'o, Lampard and Terry, from the producer behind Beckham. The Chelsea years and the Inter treble get room to breathe; the drifting decade through United, Spurs, Roma, Fenerbahçe and Benfica gets hurried past. The verdict is that it's worth watching for the seams — the moments where someone describes the man the persona was built to hide.
The finale runs a feature-length 75 minutes — the longest episode the series has made — and pulls Daemon, the Winter Wolves, the Starks and both halves of the war into a single mega-scale set piece. Critics split hard: some called it Game of Thrones-worthy spectacle, others flagged narrative choices that repeat season two's missteps. It's the last new episode until the fourth and final season in 2028.
Six 15-minute episodes of 2D-animated British strays, heavy on profanity and lad-ish banter. Variety found it unexpectedly bittersweet beneath the crudeness; other critics were far less charitable, with one reporting zero laughs across the whole run. A rare case where the review spread is more interesting than the consensus.
The Apple TV comedy returns with Ted back home in Kansas City rather than Richmond, manning a supermarket register and helping his mother move while his now 12-year-old son Henry comes to visit. Early reviews of the premiere are split, with the season's Rotten Tomatoes score hovering in the mid-70s as critics divide between calling it a welcome fresh start and missing the show's old spark.
Spider-Man: Brand New Day's $355M opening and The Odyssey's $51M third weekend added up to $406M — topping the record previously held by Avengers: Endgame's $357M debut frame. Analysts now project the industry's best summer and full year since 2019, at roughly $4B and $10B respectively.
Tom Holland's fourth outing as a forgotten Peter Parker pulled in a record preview haul and a broken single-day mark before Monday's certified actuals lifted its total to $360 million — enough to edge past Avengers: Endgame's $357.1 million and claim the biggest domestic opening weekend in box-office history.
Universal braced for an $80–100M debut for a three-hour, R-rated Homer adaptation. It opened to $124.5M — the biggest launch of Nolan's career — as a months-long casting backlash proved far louder online than at the box office.
The nominations for the 78th Emmy Awards have been announced.
Apple TV's foggy island horror-comedy closed its first season with a near-perfect Rotten Tomatoes score, a devoted audience, and one persistent rumor that turned out to be gloriously wrong.
Thirty years on, the Michael Bay blockbuster that paired Sean Connery with Nicolas Cage endures not because of its explosions but because of the grief buried beneath them — and a producer who never saw it finished.
Kane Parsons' feature adaptation of his viral YouTube series 'The Backrooms' is making waves at the box office, marking a notable debut for the young filmmaker.
The Zendaya-led drama was bigger than ever in Season 3, but an ending had begun to feel inevitable.
The epic conclusion to the Netflix phenomenon is breaking records in theaters, with AMC reporting "many sellouts" across circuits.
With final Oscar voting open through March 5, Ryan Coogler gave a deeply moving interview on what a Best Director win would mean — saying simply, "My award is the opportunity to have this job."
Professional violinist Brian King Joseph has filed a lawsuit alleging wrongful termination and retaliation while working on Smith's Based on a True Story: 2025 tour.
The third Avatar installment takes its domestic total to $250M+ after New Year's Eve, as 2025 box office reaches $8.87B.